Anita Pan devotes to examining the precarity and fluidity of being, of time-space and reality, the mirroring of inscapes and outscapes, and how to transfigure, flip, construct, and expand mysteries by diving into the recursive, inconsistent, glitchy, folded, fissured, osmotic, ambiguous, contradictory and liminal. Particularly drawn in her sonic practice to exploring the materiality of sound, the combination of listening and tactile experience, and the expressive potentials of sound as action. Anita Pan’s practice spans mediums from sound and words to installation, performance and moving-image, often attending to the shifts in and the juxtaposition of perspectives, scales and tempos. Many years of choir singing and literary trainings invest Anita Pan’s work with a tone of polyphonic "composition".

​潘麗（Anita Pan）关注存在、时空与真实的脆弱性和易变性，里表景观的映照，以及在其间种种反复、无常、失灵、褶皱、裂隙、渗透、暧昧、矛盾与临界状态之上进行变形、翻转、建构和扩大神秘的可能。在声音创作中，重点探索声音的物质性，听觉与触觉的联合体验，以及声音作为行动的表达潜能。潘麗的实践跨越声音、语言、装置、表演、影像等多重媒介，常有意识地改变或并置多重视角、尺度与节奏。多年合唱经验与所受过的文学训练赋予其创作以多声部“写作”的底色。